The way you hold the violin bow is directly correlated to the sound you are producing. A relaxed bow hold will help you produce a good tone, allow for smoother string crossings, and eventually give you the tools to play fast sections and do advanced bow strokes.
Whether you are learning a beginner bow hold, of if you’ve been playing violin a while, it’s a great idea to rethink how to hold the violin bow properly for the best control and relaxation. So if you’re not completely happy with that tone you’re producing it might be time to reevaluate your bow hold.
Let’s talk about how to hold the violin bow for beginners and the common mistakes I see with bow holds and how those mistakes can negatively affect your sound.
Also visit, How Much to Tighten Your Bow: The Ultimate Guide to Tightening and Loosening Your Bow
Is it a Bow Hold or a Bow Grip?
When learning how to hold the bow, you will hear both terms: bow hold and bow grip. I dislike the term bow grip because “grip” implies force and tension. You want to avoid tension at all costs when it comes to the bow, so I avoid calling it a bow grip. The term bow hold is better but even that has its negative connotations.
You really aren’t even holding the bow. Once you learn to form a relaxed bow hold, you will realize you’re just balancing the bow between the thumb and the fingers. So instead of a bow hold, it should be called a bow balance. But I’ll keep calling it a bow hold for traditions sake!
Is There a Correct Way to Hold a Violin Bow?
While there are many variations on the violin bow hold, there are many common mistakes people have when it comes to learning to hold the violin bow. Holding the bow incorrectly will negatively affect your sound. The way you were originally taught to hold your violin bow can have a lasting affect on your bow hold, even if you’ve matured beyond those beginning stages.
So before we get into how to hold your violin bow correctly, let’s talk about some approaches to holding the bow that don’t yield good results.
A lot of methods use what I call the “one finger at a time approach.” You put this finger here and this finger here and the pinky on top and curve your thumb underneath… And then you usually end up with something unnatural.
The one finger at a time approach doesn’t work because each finger in the bow hold has to work together as one cohesive unit.
Another method I’m not a huge fan of is the “bow hold bunny.” This method involves the middle two fingers touching the thumb like the bunny’s teeth and the pinky and index finger sticking up in the air like the ears. When you do this on the bow it’s like the bunny is eating the stick and then you flop the ears down on the stick. In my opinion this approach to holding the violin bow has a lot of different problems. For one, it’s going to make the middle two fingers be unnatural close to each other. It also tends to make people pinch the bow with the middle fingers. And then the pinky and the index finger are unnaturally spaced.